BlazeTV host Allie Beth Stuckey is sounding off on what she sees as a deeply unsettling turn in high fashion, criticizing Paris Fashion Week for embracing what she describes as “demonic” and grotesque aesthetics over beauty.
“The theme is clearly to be demonic. And I don’t know what kind of statement they’re trying to make, if it’s some kind of critique of society or if they are just the demonic people themselves, but pretty scary. Obviously, not about beauty,” Stuckey says.
And those who attend the shows and praise the designers aren’t much better.
“I think that they’re all thinking about being seen, and how the world is interpreting them, and what kind of statement they’re making, and what kind of opportunity or attention this is going to get them,” Stuckey says, mocking, “‘Do people think I’m edgy finally? Oh, I bet I’m going to be the strangest, most bizarre, most, you know, edgiest person there.’”
“I think they’re all thinking about themselves. I don’t think that they are there to enjoy the art or to enjoy the spectacle. I think they are there to be the art and to be the spectacle,” she adds.
Designer Kei Ninomiya’s collection was described as “gloom” made “tangible” by Vogue Runway. The collection featured gothic horror elements of bondage and morbid animal sculptures.
“Because all of us are like, ‘How can I get my hands on some gloom?’” Stuckey comments.
“The soundtrack for the collection was labeled ‘the aural equivalent of a nervous breakdown,’” she says. “Again, I have always wanted my nervous breakdowns to become an aura that I could just kind of swim through.”
The brand Enfants Riches Déprimés, whose French name translates to ‘Depressed Rich Kids,’ also made an appearance.
“His show featured a model chained to a statue of a man’s head. … The brand’s inspiration comes from fellow child elites the designer met in rehab as a young man,” Stuckey explains.
The designer, Henri Alexander Levy, is quoted as once saying, “If you were going to kill yourself, wouldn’t you want to do it with a $7,000 cashmere noose?”
“I think people underestimate how many people in Hollywood, the fashion world, movie industry, are truly just disturbed people who are working out their trauma and demonic possession through entertainment and fashion,” Stuckey says.
Another brand, Matières Fécales — which is French for “Fecal Matter” — claims that its collection is a critique of “wealth, power, corruption, and inequality.”
“Somehow, I just don’t feel like that’s what it’s accomplishing,” Stuckey says.
“There is something just very dark about the glorification of the demonic that we see among a lot of people in Hollywood and in the music industry,” she adds.
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