The British luxury vehicle brand Jaguar released a bizarre new ad Tuesday, prompting intense criticism along with questions about whether the company was still in the business of making cars and whether it may have confused November for so-called Pride month.

Jaguar leaned into the backlash to its loud and car-less campaign ostensibly celebrating deviancy, suggesting that its hackneyed call to defy the “ordinary” — already uniformly and reflexively resisted by massive companies, Western governments, the media, and various other institutions unmoored by tradition — was an introduction to “the future.”

Provocative advertisements have long been used to court controversy, secure earned media, and remind the public that a company and its products still exist.

Facing a chicken delivery management crisis in the United Kingdom and widespread closures, the KFC Corporation leaned on the creative agency Mother in 2018 for a novel way to simultaneously apologize and advertise — printing “FCK,” the anagram of its brand name, on chicken buckets.

Volkswagen ran its playful “Think Small” campaign in the 1960s to promote the Beetle.

Red Bull, evidently keen to sell more energy drinks, had Austrian skydiver Felix Baumgartner take a helium balloon up to an altitude of 39 kilometers, jump, break the sound barrier, and land on his feet in New Mexico.

Apple released an ad earlier this year titled “Crush” in which a compressor destroyed the various tools and means for real-world artistic endeavors and in-person activities that its new device would apparently replace and virtualize.

On Tuesday, Jaguar gave it a go, launching an ad campaign on social media with the caption “Copy nothing.”

The video opens with a feminine individual with a Pacman-shaped afro leading five androgynous individuals dressed in misshapen apparel out of an elevator and onto a pink moonscape.

The text “delete ordinary” appears over a subsequent shot of an individual painting white lines.

‘Fire your marketing team.’

In the following shot, a masculine figure wearing a dress and wielding a yellow sledgehammer appears in a blue room with the text “Break moulds.”

Finally, the cast of androgynes, now joined by a heavyset black woman, crews together on the pink moonscape and strikes a well-choreographed pose.

Tesla CEO Elon Musk said in response to the ad, “Do you sell cars?”

Conservative writer and author Peachy Keenan shared a screenshot of the opening still and wrote, “You lost me at :01.”

Keenan added, “Copy nothing [b]ut the worst, stalest cultural trends so you can subvert a storied brand. Congrats and no thanks.”

“Well … we know where the advertising team for Bud Light went,” wrote Nick Freitas, Republican member of the Virginia House of Delegates.

“Jaguar just pulled a Bud Light,” wrote End Wokeness. “Wtf is this?”

Conservative filmmaker Robby Starbuck tweeted, “Fire your marketing team and drop the woke stuff.”

When asked, “What the actual hell is this[?]” the company responded, “The future.”

The company’s corresponding splash page states, “We’re here to delete ordinary. To go bold. To copy nothing.”

Rather than credit the Ohio band Devo or fashion designer Pierre Cardin with its new aesthetic, Jaguar said in a release that its “transformation is defined by Exuberant Modernism, a creative philosophy that underpins all aspects of the new Jaguar brand world.”

Jaguar managing director Rawdon Glover suggested to Car Dealer Magazine that the company is looking to sell to “younger, more affluent, and urban livers.”

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